Trio Settecento releases "An Italian Sojourn"

Submitted by Jim Ginsburg on Mon, 09/10/2007 - 4:00pm.

At the end of 2006, in a post titled Bringing Musicians Together, I explained how the Baroque ensemble, Trio Settecento, came into being as a result of a Cedille Records recording project ten years ago -- something about which I am particularly proud. In her personal note to the Trio's new recording, "An Italian Sojourn" (the official store release date is tomorrow), violinist Rachel Barton Pine tells (as Paul Harvey would say) the rest of the story.

As its title implies, the new album is of music by Italian composers (plus a sonata Handel wrote during his years in Italy). The Trio plans to continue recording with programs of German music, French music, and music from the British Isles to come in future years. I recently sent an email to Cedille Records customers allowing them to take a 25% discount on the new disc (through Sept. 15 only) by visiting our web site at this special page, a benefit I am glad to share with Chicagoclassicalmusic.org readers.

Now here's Rachel Barton Pine's personal note:

What a difference a decade makes! In 1996, John Mark Rozendaal, David Schrader, and I collaborated on a recording of Handel’s Violin Sonatas. We enjoyed working together so much that in 1997, we formed Trio Settecento. This album, An Italian Sojourn, represents the culmination of ten years’ growth for us as individuals and as an ensemble.

In 1996, I recorded Handel using a modernized 1617 Amati and a baroque bow. My interpreta­tions on that album combined a historically-informed approach to phrasing and orna­mentation with a contemporary application of vibrato. This continues to be my approach when performing a Baroque sonata alongside Romantic and 20th/21st Century works on my 1742 Guarneri del Gesu.

However, my exploration of the sound world of the 17th and 18th Centuries has evolved significantly. In 2002, I began performing this music on a 1770 Nicola Gagliano in original condition. This beautiful instrument has had a remarkable effect on my capability to be faithful to the early composers’ intents and to bring their music most fully to life.

I am so grateful for the opportunity to col­laborate with John Mark and David. Their pas­sion for music, boundless thirst for knowledge, and mastery of their instruments makes our time together an exciting musical adventure and increasingly rewarding. The longer we play together, the more we breathe as one, anticipate each others’ nuances, and discover increased freedom and spontaneity in our improvisations. And through all these years of intense rehears­ing, we remain the best of friends!

Baroque music holds the power to delight and astonish. We chose the pieces on this album for their profound beauty and some­times startling originality, even eccentricity. I hope that you are as excited to discover this music as we always are to play it.

--Rachel Barton Pine

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